I love you so much I can't even title this

by Celer

supported by

Louis My favorite track is the whole thing of course

Having to flip a drone record always sucks a little haha

Beautiful stuff as always from Will Long. One tone encasing several, one sound encasing endless emotions, thoughts, feelings, ruminations all together forming a feeling of a moment with no end, the face of eternity creeps closer with every second of every perfectly produced drone celer puts out Favorite track: Isotope shortage.

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¥1,500 JPY or more
Buy 2xLP from Infraction (US)
2xLP edition (white)
Record/Vinyl + Digital Album
Limited to 150 copies on white vinyl. Layout and design by Timothy O'Donnell. Reverse board finish with printed inner sleeves.

Includes unlimited streaming of I love you so much I can't even title this via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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2xLP edition (black)
Record/Vinyl + Digital Album
Limited to 253 copies on solid jet black vinyl. Layout and design by Timothy O'Donnell. Reverse board finish with printed inner sleeves.

Includes unlimited streaming of I love you so much I can't even title this via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Sold Out
Test Pressing (Edition of 1)
Record/Vinyl + Digital Album
White label test pressing, comes in brown paper sleeve. Edition of 1.

Includes unlimited streaming of I love you so much I can't even title this via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Sold Out

	1.	Isotope shortage 10:18
	2.	Ruined repairs 10:08
	3.	The delay of intolerance 40:11

about

In November of 1938, Samuel Barber's 'Adagio for Strings' was broadcast on radio for the first time. It was regarded as "full of pathos and cathartic passion", and "perfect in mass and detail". While it was generally well-received, it was also criticized as "suffering from repetitiousness", and being "dull and utterly anachronistic." It is often labeled as 'the saddest music in the world', and is one of the most recognizable pieces of popular classical music. In an interview with the New York Times before his death in 1981, Barber said "I wish people would listen to my other compositions."

'I love you so much I can't even title this', inspired by the music of Samuel Barber, was recorded in 2008, processed on tape and a laptop. The title alluded to a Morrissey song, and she once summed it up by calling it 'the laziest title I've never written'. I remember painting the handmade die-cut sleeves in the garage, having to hold a rag over my nose and mouth to keep out the fumes. At the time, it seemed like an exercise. Studying poetry had distanced us from the world - and did we think anyone was even paying attention, anyway? The theme was overwhelmingly obvious, and the title was direct. A few years later I chose a photo for the cover of a cemetery in New Orleans - another direct message, yet like everything else, entirely unintentional. You'd be surprised how beautiful the cemetery was that day in the sun, and how you'd probably be wrong about every other assumption, as well. But then, what does that matter, either? Music only has to be.

Originally self-released in 2008 as 'I love you so much I can't even title this (The light that never goes out went out)' on CDR in a handmade, limited edition.

'I love you so much I can't even title this' is available on 2xLP on sky blue, white, and black vinyl from Infraction, remastered by Taylor Deupree.

Release date: May 26, 2016

Recorded 2008 by Celer. Will Long & Danielle Baquet-Long.
LP mastered by Taylor Deupree
Layout by Timothy O'Donnell

Note: Please always keep a backup of your download in an archive.

credits

released May 26, 2016

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Celer Tokyo, Japan

Celer is Will Long, an American artist.

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