ethan van iderstine
pure essence of travel. transitioning from crowds in public centres to extended dream sequences reminiscent of watching everything pass by, looking out the window of a train. everything flows perfectly and each overlapping moment complements another.
i first listened to this in may, during a trip in rural quebec. i played it every day while driving by towering rock structures and minuscule, isolated communities. i still listen almost every day now as well.
best album of the year by far
Favorite track: In the middle of the moving field.
My favorite Celer album as I love the use of sampled voices...slight reminiscent of Koner La Barca in a couple places...this is a good thing and what I need more of in my life...it’s a masterpiece.
Phonetic script: Xièxie
Chinese characters: 谢谢
谢谢 ( xiexie / xièxie ) is composed of these characters: 谢 (xie) , 谢 (xie)
English translation: thank you, thanks
to say | to thank | literally means 'thanks'. 'Thank you' in Chinese would be xièxie nĭ (if you thank an individual), or xièxie nĭmen (to say thank you to a group of people).
- Chinese -> English Dictionary
A week before leaving, I bought a dictionary and phrasebook.
Covered in rain, during the days and even the nights, Shanghai was lit in a glow, a mist turning to a constant grey fog. Buildings lined with neon and lcd screens flashed, and from around corners and behind buildings, the night was illuminated much the same as the day. Cars separated the classes, their horns voices punctuating the streets, as pedestrians in groups loosely scattered the streets, talking and walking on speakerphone.
Standing by the metro escalators, there in the square with the overhanging trees of a park, there is construction all around. The buildings seem to be climbing into the darkness at this very moment. Leaving behind and moving forward. We seem to know everything already, our illusion of experience. I imagine taking your hand, I imagined taking your hand, and the lights in the subway flicker as we go deeper. Transit bookmarks each experience, every daydream, and in the end they're interchangeable and indistinguishable between reality and imagination. Try to remember which is real.
To Hangzhou the maglev reached 303 km/h, the towering apartment buildings hunch under construction, passing by in blurs on the flat farmland landscape. I fell asleep, as you were dancing but to no music. The lilies on the lake nodded in the rain, dipping into the water. There was a Wal-Mart near the hotel where I won a pink bunny from a claw machine. I remember the beauty of the architecture of Hangzhou station, birds swirling around the pillars near the top, the echoes of the deep station interior, and the laughing at being lost. There at least we have each other, that memory, or that daydream.
Everything moves faster than we can control. Days are just flashes, moments are mixed up but burned on film, and all of the places and times are out of order. If it could only be us, only ours. If it was ours, if it was us. Sometimes everything goes faster than you can control and you can't stop, much less understand where you are. I bought a dictionary and phrasebook, but "xièxie" was the only word I ever got to use.
Note: If you are confused about the reason for the "uncut" versions, it is because when streaming from Bandcamp and some other laggy players, the website loading time between tracks will cause a skip, and the uncut version allows you to bypass that.
Part 1 and Part 2 are not joined together because they are two different parts.
released January 24, 2019
Xièxie is available as a 2LP edition of 300 copies, 150 silver and 150 black, a 2CD, 6 panel package edition of 500 copies, and a 2CS oversized slipcase edition of 150 copies.
Download includes bonus 2-track, uncut version of the full album.
Design by Rutger Zuydervelt
Mastered by Stephan Mathieu
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A gorgeous birth to a now striving force in vaporwave music, 'Atarashī Hi no Tanjō' can only be seen in my eyes as the greatest ambient album of all time.
From its rolling samples of Japan's sleepless transit systems through to the intimate use of vocal samples throughout, the dynamic duo of HKE and t e l e p a t h cannot be praised enough for this modern classic, ever evoking that same sense of mystique I caught when I stepped off the sub-express to Moriguchi for the very first time. Jake